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Asien, Kina, Inre Mongoliet |
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Enligt Montell (1934) är detta en gurtum (ghurtum eller gürtüm eller gürten), ett mongoliskt medium eller orakel, vid tempel i inre Mongoliet. Enligt Bumochir Dulam och Oyuntungalag Ayushiin (2006) är det snarare en choijin. Sven Hedins expedition 4, fas 2, 1927 - 1933.
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Gurtum, a kind of medium or oracle, at a temple in Inner Mongolia. Like the shamans ‘gürtens’ are also involved in spirit possession and they are able to deliver prophecies on behalf of the spirits. B...
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Gurtum, a kind of medium or oracle, at a temple in Inner Mongolia. Like the shamans ‘gürtens’ are also involved in spirit possession and they are able to deliver prophecies on behalf of the spirits. But they ar considered to be different from shamans. The Sven Hedin expedition 4, phase 2, 1927 - 1933.
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Publicerad text, engelska <itemDescription> |
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…the gurtum entered the tent and began to wash his hands and face with milk-white liquid, which was poured out of a highly decorated teapot. The gurtum was slowly dressed in his outfit. Once dressed, ...
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…the gurtum entered the tent and began to wash his hands and face with milk-white liquid, which was poured out of a highly decorated teapot. The gurtum was slowly dressed in his outfit. Once dressed, he sat down on a prepared box with a high pile of cushions on top. Incense filled the inside of the tent and the chanting of prayers began again. Suddenly, the gurtum’s feet began to tremble and with this sign flags were placed in his belt and a very large helmet decorated with skulls was placed on his head. This was tied very tightly under his chin with khattaks [xadag, a ceremonial silk scarf] so that he could not move his chin at all. This is a safety precaution to ensure that, while in trance, he does not bite off his tongue or break his teeth. His whole body then began to tremble, his bloodshot eyes began moving wildly and turned out and in. He jumped up and down on his throne while out of his mouth poured a bloody froth. With a sword he lashed around wildly and looked like a dangerous demon. The lamas bang on their drums and cymbals throughout and recite Tibetan texts. Now the moment is ready for the public to have the future told to them. One after the other they move towards the gurtum with khattaks [xadag, a ceremonial silk scarf] and ask questions concerning illness, travel plans, the outcome of business affairs etc, etc. The answers are given in an unknown language which one of the Gurtum’s assistants translates. When everyone has asked their questions and the trance is subsiding, the helmet is slowly removed and a peculiarly decorated black hat that is drawn down below the eyes is placed on his head. The gurtum then rushed out of the door and into the other tent that was decorated for the fire offering. There he performed a wild dance with huge prancing leaps and jumps and after some time fell down exhausted. After a little while a fire offering is performed in roughly the same way as described before. […] A lama once described the gurtum’s power in the following way: “He can extend or shrink his body, twist his limbs, bend and drag out iron weapons as he wishes. He knows everything, he can predict the future, he does not fear an enemy, however strong or powerful they may be. He can take away illnesses by placing his hands on people or with a single slash of his sword” (Montell 1934:192-196, trans. Rebecca Empson).
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Referens, källa <itemDescription> |
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Dulam, Bumochir and Oyuntungalag Ayushiin (2006) The Transmission and Source of Prophecy in Contemporary Mongolia. In Time, causality and prophecy in the Mongolian cultural region: visions of the futu...
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Dulam, Bumochir and Oyuntungalag Ayushiin (2006) The Transmission and Source of Prophecy in Contemporary Mongolia. In Time, causality and prophecy in the Mongolian cultural region: visions of the future
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Fotograferad i Inre Mongoliet, Kina, Asien av Söderbom, Georg [?].
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Sakord, engelska<itemName> |
- photograph
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- man
- jurta
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Sakord<itemName> |
- fotografi
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Statens museer för världskultur - Etnografiska museet |
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