Thorhild Wulff was both a peculiar and a skilful collector. In his 1912 diary, kept during a journey into China, he shares his thoughts on the country and its inhabitants. Today, the diary makes exciting and amusing – yet also shocking – reading.
Now, the text feels prejudiced and self-indulgent in places; it reflects the spirit of the early 1900s. The vast majority of the artefacts included in Wulff's large collection in the Museum of Ethnography were acquired properly but we can't be sure that this applies to them all.
In the town of Tientsin, he searched out a man famous for his small, clay figures and bought from him a collection of 130 of them. They are artistically sculpted from river-sludge and skilfully painted, each with its own character. As they are extremely fragile, they were packaged in these gaudily painted metal boxes. Out of them emerge different characters from the theatre, types you'd meet on the road, and priests from China's different temples. With the 63 dolls, you can form a winding funeral procession.